目中无人2022
谢苗,高维蔓,向皓,刘奔,张荻,张皓森,高毅,刘军,康轩,侯骏桀,尹箭,甘书杰,张乐,张韦,王军,王奕彤,闫宁
张暧忻
爱森斯坦
吉姆·贾木许
史提芬·索德伯格
特伦斯·马利克
格里菲斯
杜琪峰
约翰·福特
A ladies' man is forced to change his ways when he's suddenly saddled with the daughter he never knew about.
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
亨利是一位平凡的小说家,独自抚养着一对双胞胎女儿,也兼职的教着探索课程,他说他这辈子最大的意外就是他的妻子离开了他。
苏菲·玛索,文森特·林顿,伊丽莎白·维塔利,埃琳娜·庞贝,罗贝托阿提艾斯,珍妮苏雄,Jacqueline Noëlle,伊萨贝尔·科贝尔,安德烈·查泽尔,弗朗索瓦·欧容,玛丽-克里斯汀·巴洛特,Jacques Chancel,艾利·舒哈基,瓦拉狄米·科斯马
野泽雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野爱,三石琴乃,小野健一,佐伯志,松尾银三,津久井教生,坂本千夏,小杉十郎太
劳拉·琳妮,汤姆·威尔金森,詹妮弗·卡朋特,坎贝尔·斯科特
Robin Dunne,罗伯特·克耐普,Sunny Mabrey
牛骏峰,尚语贤,白恩,王奎荣,胡耘豪,李光复,喻亢,马渝捷,徐筠,邓志浩,邬倩,曲戈,陈俊安,姜琦,时銘健,朱海军
张珏,张苒
马克·杜普拉斯,莎拉·保罗森,克鲁·古拉格
Grace Adams-Short,Aaron Krygier,Kayla Malika,Gabrielle Nunzio
David Koberidze,Otar Nijaradze
詹森·阿克斯,斯坦娜·卡蒂克,吉米·辛普森,吉第安·艾朵,卢·戴蒙德·菲利普斯,詹妮弗·黑尔,特洛伊·贝克,阿尔迪斯·霍吉,威尔·弗里德尔,梅格·唐纳利,岑勇康,马特·兰特尔,达伦·克里斯,连姆·麦肯泰尔,艾托·艾桑多,吉奥弗瑞·阿伦德,杰米·格雷·海德,凯沙·夏普,马特·瑞安,乔纳森·亚当斯